DANISH MUSICOLOGY ONLINE | DANSK MUSIKFORSKNING ONLINE

	Henrik Smith-Siversen Til julefrokost med Bjørn & Okay. Dansktopmusik, fest og fællesskab. seabstract

	Svend Hvidtfelt Nielsen Supplerende bemærkninger til Jörgen Jersilds Positionsteori. seabstract

	Lars Ole Bonde Bent Lorentzen – den folkelige avantgardist. Notater fra et forskningsprojekt, der tog en uventet drejning. se abstract

	ENQUETE vedrørende aktuel dansk musikforskning.

DMO Vol. 5, 2013

Ulrik Spang-Hanssen
Om brugen af ‘notes inégales’ i og uden for Frankrig
perspektiveret ved punktnedslag i nutidig populærmusik

Mark Grimshaw
Beyond Sound
Inaugural professiorial address of 30th October 2012, Aalborg University

DMO Vol. 6, 2014

Lea Maria Lucas Wierød
“Hvor livspoesien iklædes musikalsk klædebon”
Mediale kontakt- og brudflader mellem ord og melodi, belyst ved den musikalske romances genrefusion med den litterære salme.

DMO Særnummer 2014 Musik som praksis

	Steen Kaargaard Nielsen / Mads Krogh At musikere En praktisk orientering i musikvidenskaben – i et faghistorisk og videnskabsteoretisk lys. se abstract

	Steen Kaargaard Nielsen At skabe en komponist Om kompositionsmusik som kollektiv social praksis eksemplifi ceret ved to britiske cases. se abstract

	Tore Tvarnø Lind Tradition som musikalsk erindringspraksis . se abstract

	Iben Have Musik som kommunikativ emotionel praksis i Armadillo. se abstract

	Nina Gram Musikalsk stedsans En undersøgelse af sansernes betydning for etableringen og erfaringen af stedet. se abstract

	Mads Krogh Mellem ting og sager Musik som materiel praksis – et aktør-netværks-perspektiv. se abstract

DMO Særnummer 2015 Musikcensur

	Helmi Järviluoma / Jan Sverre Knudsen Introduction

	Tore Tvarnø Lind Blasphemy Cries over Pussy Riot’s “Punk Prayer” se abstract

	Thomas Solomon Self-censorship as Critique: The Case of Turkish Rapper Sagopa Kajmer se abstract

	Kjetil Klette Boehler How Live Cuban Popular Dance Music Expresses Political Values in Today’s Cuba se abstract

	Ursula Geisler Political Music Censorship: Some Remarks on Nazi Music Regulations 1933-1945 se abstract

	Antti-Ville Kärjä Cultural Politics of Music Censorship in ‘Post-Soviet’ Finland se abstract

	Kristine Ringsager “It Ain’t Shit About the Music!” Discussions on Freedom of Expression in Relation to Rap Music in Social Work se abstract

	Johannes Frandsen Skjelbo Jamaican Dancehall Censored: Music, Homophobia, and the Black Body in the Postcolonial World se abstract

DMO Særnummer 2015 Musik- og hjerneforskning

	Forord

	Niels Trusbak Haumann An Introduction to Cognitive Musicology Historical-Scientific Presuppositions in the Psychology of Music. se abstract

	Jens Hjortkjær Sound objects – Auditory objects – Musical objects . se abstract

	Kristoffer Jensen Sensory Dissonance Using Memory Model . se abstract

	Niels Chr. Hansen Nye perspektiver på studiet af musikalsk ekspertise. se abstract

	Ole Kühl Musikalitetens Dimensionalitet – om biologi, kultur og musikvidenskab. se abstract

DMO Særnummer 2015 Lyd- og musikproduktion

	Forord

	Toivo Burlin Experimentell musikproduktionsvetenskap som kulturforskande musikvetenskap: Ett produktionsperspektiv på musik se abstract

	Mads Walther-Hansen Sound Events, Spatiality and Diegesis – The Creation of Sonic Narratives in Music Productions se abstract

	Totte Mattsson Audiovisuella loopar och kollektiv live-looping se abstract

	Jan-Olof Gullö, Ivan Höglund, Julia Jonas, Hans Lindetorp, Anton Näslund, Joakim Persson & Peter Schyborger Nobel Creations: Producing infinite music for an exhibition se abstract

	Mark Grimshaw A brief argument for, and summary of, the concept of Sonic Virtuality se abstract

	Justin Christensen Virtual Distance and Soundstage, and their Impacts on Experienced Emotional Valence se abstract

	Martin Knakkergaard Numeriske tåger – eller hvad blev der i grunden af de tre andre causa? se abstract

DMO Særnummer 2016 17th NMC

	Preface

	Justin Christensen Preparing Empirical Methodologies to Examine Enactive, Embodied Subjects Experiencing Musical Emotions se abstract

	Marit Johanne Høye Sequence Melodies in Icelandic and Norwegian Manuscripts se abstract

	Gunnar Ternhag, Erik Wallrup, Elin Hermansson, Ingela Tägil, and Karin Hallgren Writing Composer Biographies in the Project Swedish Musical Heritage se abstract

	Per Dahl Text, Identity and Belief in Stravinsky’s Symphony of Psalms se abstract

	Martin Knust Musical and Theatrical Declamation in Richard Wagner’s Works and a Toolbox for Vocal Music Analysis se abstract

	Erik Steinskog Analog Girl in a Digital World. Erykah Badu’s Vocal Negotiations of the Human se abstract

	Erik Wallrup From Mood to Tone: On Schoenberg and Musical Worlds se abstract

	Heli Reimann Jazz and Soviet Censorship: The Example of Late-Stalinist Estonia se abstract

	Anne Reese Willén The Capital – The Core of Musical Life se abstract

	Thomas Solomon The Play of Colors: Staging Multiculturism in Norway se abstract

	Áurea Dominguez Manuel Garcia’s Influence on Nineteenth-century Instrumental Music: Bassoon Playing in France as a Case Study se abstract

	Robin Rolfhamre Embellishing Lute Music: Using Renaissance Italian Passaggi Practice as a Model and Pedagogical Tool for an Increased Improvisation Vocabulary in the French Baroque Style se abstract

DMO Særnummer 2016 Word and Music Studies

	Preface

	Lawrence M. Zbikowski Reflections on Word and Music

	Sybille Krämer Script and Sound: Refl ections on the Creative Function of Visualization and Spatialization for Time-Bound Processes like Speech and Music

	Heidi Hart Translating Bodies: A Spatial Approach to Words and Music

	Anette Vandsø Technology, Sound, and Subject: A Cross-Disciplinary Investigation

	Birgitte Stougaard Pedersen The General Pause and the Enjambment: Silence as Qualitative Modes of Music and Poetry

	François Staring Audiences in Literature: On Understanding Musical Imaginations

	Axel Englund Of Great Pitch and Moment: Some Refl ections on Operatic Performance, Interpretation, and Hermeneutics

	Beate Schirrmacher Musical Performance and Textual Performativity in Elfriede Jelinek’s The Piano Teacher

	Molly McDolan Stille in the Lutheran Baroque: A Musical-Textual Analysis Using Quantitative Methodology