DANISH MUSICOLOGY ONLINE | DANSK MUSIKFORSKNING ONLINE

	Henrik Smith-Siversen Til julefrokost med Bjørn & Okay. Dansktopmusik, fest og fællesskab. seeabstract

	Svend Hvidtfelt Nielsen Supplerende bemærkninger til Jörgen Jersilds Positionsteori. seeabstract

	Lars Ole Bonde Bent Lorentzen – den folkelige avantgardist. Notater fra et forskningsprojekt, der tog en uventet drejning. see abstract

	ENQUETE vedrørende aktuel dansk musikforskning.

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DMO Vol. 5, 2013

Ulrik Spang-Hanssen
Om brugen af ‘notes inégales’ i og uden for Frankrig
perspektiveret ved punktnedslag i nutidig populærmusik

see abstract

Mark Grimshaw
Beyond Sound
Inaugural professiorial address of 30th October 2012, Aalborg University

see abstract

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DMO Vol. 6, 2014

Gro Trondalen / Lars Ole Bonde
Musik är mycket mer än bara musik
– Samtal med Alf Gabrielsson.

see abstract

Lea Maria Lucas Wierød
“Hvor livspoesien iklædes musikalsk klædebon”
Mediale kontakt- og brudflader mellem ord og melodi, belyst ved den musikalske romances genrefusion med den litterære salme.

see abstract

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DMO Special Edition 2014 Music as practise

	Steen Kaargaard Nielsen / Mads Krogh At musikere En praktisk orientering i musikvidenskaben – i et faghistorisk og videnskabsteoretisk lys. see abstract

	Steen Kaargaard Nielsen At skabe en komponist Om kompositionsmusik som kollektiv social praksis eksemplifi ceret ved to britiske cases. see abstract

	Tore Tvarnø Lind Tradition som musikalsk erindringspraksis . see abstract

	Iben Have Musik som kommunikativ emotionel praksis i Armadillo. see abstract

	Nina Gram Musikalsk stedsans En undersøgelse af sansernes betydning for etableringen og erfaringen af stedet. see abstract

	Mads Krogh Mellem ting og sager Musik som materiel praksis – et aktør-netværks-perspektiv. see abstract

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DMO Special Edition 2015 Researching Music Censorship

	Helmi Järviluoma / Jan Sverre Knudsen Introduction

	Tore Tvarnø Lind Blasphemy Cries over Pussy Riot’s “Punk Prayer” see abstract

	Thomas Solomon Self-censorship as Critique: The Case of Turkish Rapper Sagopa Kajmer see abstract

	Kjetil Klette Boehler How Live Cuban Popular Dance Music Expresses Political Values in Today’s Cuba see abstract

	Ursula Geisler Political Music Censorship: Some Remarks on Nazi Music Regulations 1933-1945 see abstract

	Antti-Ville Kärjä Cultural Politics of Music Censorship in ‘Post-Soviet’ Finland see abstract

	Kristine Ringsager “It Ain’t Shit About the Music!” Discussions on Freedom of Expression in Relation to Rap Music in Social Work see abstract

	Johannes Frandsen Skjelbo Jamaican Dancehall Censored: Music, Homophobia, and the Black Body in the Postcolonial World see abstract

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DMO Special Edition 2015 Music and brain research

	Preface

	Niels Trusbak Haumann An Introduction to Cognitive Musicology Historical-Scientific Presuppositions in the Psychology of Music. see abstract

	Jens Hjortkjær Sound objects – Auditory objects – Musical objects . see abstract

	Kristoffer Jensen Sensory Dissonance Using Memory Model . see abstract

	Niels Chr. Hansen Nye perspektiver på studiet af musikalsk ekspertise. see abstract

	Ole Kühl Musikalitetens Dimensionalitet – om biologi, kultur og musikvidenskab. see abstract

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DMO Special Edition 2015 Sound and Music Production

	Preface

	Toivo Burlin Experimentell musikproduktionsvetenskap som kulturforskande musikvetenskap: Ett produktionsperspektiv på musik see abstract

	Mads Walther-Hansen Sound Events, Spatiality and Diegesis – The Creation of Sonic Narratives in Music Productions see abstract

	Totte Mattsson Audiovisuella loopar och kollektiv live-looping see abstract

	Jan-Olof Gullö, Ivan Höglund, Julia Jonas, Hans Lindetorp, Anton Näslund, Joakim Persson & Peter Schyborger Nobel Creations: Producing infinite music for an exhibition see abstract

	Mark Grimshaw A brief argument for, and summary of, the concept of Sonic Virtuality see abstract

	Justin Christensen Virtual Distance and Soundstage, and their Impacts on Experienced Emotional Valence see abstract

	Martin Knakkergaard Numeriske tåger – eller hvad blev der i grunden af de tre andre causa? see abstract

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DMO Vol. 7, 2015

	Svend Hvidtfelt Nielsen Hvem er altereret? Historisk motiveret argument for en kopernikansk vending i funktionsteorien. se abstract

	Søren Møller Sørensen Rapport fra 23. Konference for Arabisk Musik i Cairo 1.-10. november 2014.

	Sven Hroar Klempe En imponerende oversikt over dagens musikkterapi. Anmeldelse af Lars Ole Bonde (red.): Musikterapi. Teori, Uddannelse, Praksis, Forskning. En håndbog om musikterapi i Danmark.

	Søren Møller Sørensen Naṣīr Shammas – lutvirtuos og engageret kunstner. se abstract

	Helen Rossil Viser på valse – vokale vinkler Konturer af gammel folkelig syngemåde mellem mundtlig og skriftlig kultur se abstract

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DMO Special Edition 2016 17th

	Preface

	Justin Christensen Preparing Empirical Methodologies to Examine Enactive, Embodied Subjects Experiencing Musical Emotions see abstract

	Marit Johanne Høye Sequence Melodies in Icelandic and Norwegian Manuscripts see abstract

	Gunnar Ternhag, Erik Wallrup, Elin Hermansson, Ingela Tägil, and Karin Hallgren Writing Composer Biographies in the Project Swedish Musical Heritage see abstract

	Per Dahl Text, Identity and Belief in Stravinsky’s Symphony of Psalms see abstract

	Martin Knust Musical and Theatrical Declamation in Richard Wagner’s Works and a Toolbox for Vocal Music Analysis see abstract

	Erik Steinskog Analog Girl in a Digital World. Erykah Badu’s Vocal Negotiations of the Human see abstract

	Erik Wallrup From Mood to Tone: On Schoenberg and Musical Worlds see abstract

	Heli Reimann Jazz and Soviet Censorship: The Example of Late-Stalinist Estonia see abstract

	Anne Reese Willén The Capital – The Core of Musical Life see abstract

	Thomas Solomon The Play of Colors: Staging Multiculturism in Norway see abstract

	Áurea Dominguez Manuel Garcia’s Influence on Nineteenth-century Instrumental Music: Bassoon Playing in France as a Case Study see abstract

	Robin Rolfhamre Embellishing Lute Music: Using Renaissance Italian Passaggi Practice as a Model and Pedagogical Tool for an Increased Improvisation Vocabulary in the French Baroque Style see abstract

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DMO Special Edition 2016 Word and Music Studies

	Preface

	Lawrence M. Zbikowski Reflections on Word and Music

	Sybille Krämer Script and Sound: Refl ections on the Creative Function of Visualization and Spatialization for Time-Bound Processes like Speech and Music

	Heidi Hart Translating Bodies: A Spatial Approach to Words and Music

	Anette Vandsø Technology, Sound, and Subject: A Cross-Disciplinary Investigation

	Birgitte Stougaard Pedersen The General Pause and the Enjambment: Silence as Qualitative Modes of Music and Poetry

	François Staring Audiences in Literature: On Understanding Musical Imaginations

	Axel Englund Of Great Pitch and Moment: Some Refl ections on Operatic Performance, Interpretation, and Hermeneutics

	Beate Schirrmacher Musical Performance and Textual Performativity in Elfriede Jelinek’s The Piano Teacher

	Molly McDolan Stille in the Lutheran Baroque: A Musical-Textual Analysis Using Quantitative Methodology

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DMO Vol. 8, 2016-17

	Editorial

	Mikkel Vad Jazzhus Montmartre Historieskrivning og kulturel erindring see abstract

	Rikke Platz Cortsen Aesthetics of Black Metal in Nordic Comics

	Søren Møller Sørensen Interview with Syrian Composer Nouri Iskander

	Tine Bacher “Og tro mig – dette vil folk takke dig for.” Cubanske rapperes bidrag til social forandring

	Stiftelsen Fargespill, Anna Egholm Pedersen and Frøydis Moberg Response to Thomas Solomon’s article “The Play of Colors: Staging Multiculturalism in Norway”

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DMO Special Edition 2018 Musikkens institutioner

	Anja Mølle Lindelof og Charlotte Rørdam Larsen De usynlige institutioner – fraværet af nutidige musikinstitutioner i dansk musikvidenskab

	Morten Michelsen I med- og modspil: Danmarks -Radio, dansk musikliv og jazzens institutionalisering

	Henrik Marstal Gamle rammer, nye måder? En undersøgelse af sangbogens institutionelle status i Danmark i det tidlige 21. århundrede

	Ole Brinth Folkekirkens kirkemusikskoler Om musik i kirken, om kirkemusik og om at uddanne -kirkemusikere

	Lars Ole Bonde ’Institutionen opera’ i Danmark – 50 års udviklingshistorie

	Lisbet Torp, Ulla Hahn Ranmar og Marie Martens Musikmuseet – Musikhistorisk -Museum & Carl Claudius’ Samling En udviklingshistorie

	Rasmus Rex Pedersen Musikbranchen i Danmark

	Andreas Otte Musikskolerne i Grønland – i -spændet mellem formel og uformel læring

	Lene Halskov Hansen Forflytning af folkemusik fra “gulv til gulv” En dansk folkemusikbevægelse i 1970-80’erne

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DMO Special Edition 2019 New Danish Musicology – In a Short Format

	Mads Walther-Hansen, Kristine Ringsager, Tore Tvarnø Lind og Lea Wierød Borčak Forord

	Anne Dueholm Jacobsen At synge sorgen ud

	Ditte Askholm Dannelse som argument for musikskoleundervisning

	Nina Agerskov Fortællinger om det anderledes

	Bjarke Lindbøg Behr Music Mind Games i folkeskolen

	Christoffer Hildebrandt Ekstremmetal og affekt

	Signe Marie Svennum Rhizomatisk musikalitet

	Martin Rahbek og Rasmus Krøyer Skjulte budskaber i Arrival-soundtracket

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DMO Vol. 9, 2018-2019

	Forord

	Tore Tvarnø Lind Solbrud.Stormlyd

	Svend Hvidtfelt Nielsen Parallel og Stedfortræder

	Thais Nicodemo Music Censorship and Brazilian Popular Music (MPB) throughout Brazil’s Civil-Military Dictatorship (1964-1985)

Mads Krogh
Music-Genre Abstraction, Dissemination and Trajectories

see abstract

	Astrid Maaløe Uden ord: Om æstetiske oplevelser som vej ud af fordomme

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DMO Special Edition 2021 Music and community

	Mikkel Snorre Wilms Boysen Editorial introduction

	Lars Brinck Collective Creative Matters Jazz band participation as learning

	Dan Hvidtfeldt, Lene Tanggaard Identity in creative communities

	Henrik Marstal Alene sammen, sammen alene Medialiseret morgensang i coronakrisens første tid

	Hugo Jensen, Lars Ole Bonde Hjerterum og plads til hvem du er Gruppemusikterapi for yngre mennesker med demens

	Maria Westvall Participatory Music-making in Diasporic Contexts Bridging the Past, Present, and Future in Cultural Production

	Mikkel Snorre Wilms Boysen The Rise of The RIA Collective A case study of after-school clubs’ attempts to foster creative and inclusive music communities among young people

	Frederik Kjær Zeuthen Musical microimprovisation Investigating pedagogues’ spontaneous use of music in everyday situations as a driving force of community building in kindergarten

	Thomas Thorsen Når musikalske fællesskaber sætter spor i den pædagogiske hverdag i dagtilbud

	Anya Mathilde Poulsen Kønsdiversitet og fællesskaber for handling Et aktuelt billede af debatten om og arbejdet for en mere lige kønsrepræsentation i dansk musik med HUN SOLO som case

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DMO Special Issue 2022 European Music Analysis and the Politics of Identity

	Thomas Husted Kirkegaard and Mikkel Vad Introduction: European Music Analysis and the Politics of Identity

	– peer reviewed – Thomas Husted Kirkegaard Schenker (not) in Scandinavia

	– peer reviewed – Bjørnar Utne-Reitan Norse Modes On Geirr Tveitt’s Theory of Tonality

	– peer reviewed – Svend Hvidtfelt Nielsen Funktionsteorien som masternarrativ

	– colloquy – Christopher Tarrant Music, Theory, and Education in the Wake of Schenkergate: A UK Perspective

	– colloquy – Kate Maxwell and Sabina Fosse Hansen Decolonizing Music History in Scandinavia Reflections from the Chalkface

	– colloquy – Kjell Andreas Oddekalv On Being a White Norwegian Analysing Rap

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